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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Imagine
Supporting
Fact
Cultural
Artist
Prison
Facts
Artists
Ends
Result
Hold
Control
Results
Apparatus

More quotes by Robert Smithson

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As long as cameras are around no artist will be free of bewilderment.
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Museums are tombs, and it looks like everything is turning into a museum.
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Artists are expected to fit into fraudulent categories.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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Visiting a museum is a matter of going from void to void.
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For many artists the universe is expanding for some it is contracting.
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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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Abstraction is everybody's zero but nobody's nought.
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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Nature is never finished.
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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Language should be an ever developing procedure and not an isolated occurrence.
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Nature does not proceed in a straight line, it is rather a sprawling development.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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