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An emotion is suggested and demolished in one glance by certain words.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Glance
Suggested
Glances
Emotion
Words
Artist
Certain
Demolished

More quotes by Robert Smithson

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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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Abstraction is everybody's zero but nobody's nought.
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Nature is never finished.
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As long as cameras are around no artist will be free of bewilderment.
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Visiting a museum is a matter of going from void to void.
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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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Language should find itself in the physical world, and not end up locked in an idea in somebody's head
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
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Artists themselves are not confined, but their output is.
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Artists are expected to fit into fraudulent categories.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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For many artists the universe is expanding for some it is contracting.
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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Language should be an ever developing procedure and not an isolated occurrence.
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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
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Nature does not proceed in a straight line, it is rather a sprawling development.
Robert Smithson