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A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Artist
Lights
Art
Works
Light
Room
Convalescence
Stills
Seem
Esthetic
Seems
Rooms
Vacant
Still
Seen
Neutral
Going
Space
Spaces
Kind
White
Submission

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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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As long as cameras are around no artist will be free of bewilderment.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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Language should find itself in the physical world, and not end up locked in an idea in somebody's head
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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Museums are tombs, and it looks like everything is turning into a museum.
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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Nature does not proceed in a straight line, it is rather a sprawling development.
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The memory of what is not may be better than the amnesia of what is.
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For many artists the universe is expanding for some it is contracting.
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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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