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A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Room
Convalescence
Light
Seem
Esthetic
Stills
Rooms
Vacant
Seems
Seen
Neutral
Still
Space
Spaces
Going
White
Submission
Kind
Lights
Artist
Works
Art

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Language should find itself in the physical world, and not end up locked in an idea in somebody's head
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Visiting a museum is a matter of going from void to void.
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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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Abstraction is everybody's zero but nobody's nought.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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Artists are expected to fit into fraudulent categories.
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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
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Language should be an ever developing procedure and not an isolated occurrence.
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I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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The memory of what is not may be better than the amnesia of what is.
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