Quote

Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Meaning
Words
Bogs
Fall
Banal
Feeble
Corny
Phenomena
Mental
Function

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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
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Abstraction is everybody's zero but nobody's nought.
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Artists themselves are not confined, but their output is.
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For many artists the universe is expanding for some it is contracting.
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Nature is never finished.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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Nature does not proceed in a straight line, it is rather a sprawling development.
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Museums are tombs, and it looks like everything is turning into a museum.
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A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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An emotion is suggested and demolished in one glance by certain words.
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The memory of what is not may be better than the amnesia of what is.
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Visiting a museum is a matter of going from void to void.
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Language should be an ever developing procedure and not an isolated occurrence.
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Language should find itself in the physical world, and not end up locked in an idea in somebody's head
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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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