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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Feeble
Corny
Phenomena
Mental
Function
Meaning
Words
Bogs
Fall
Banal

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Language should find itself in the physical world, and not end up locked in an idea in somebody's head
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Artists are expected to fit into fraudulent categories.
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Language should be an ever developing procedure and not an isolated occurrence.
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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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Nature does not proceed in a straight line, it is rather a sprawling development.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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The memory of what is not may be better than the amnesia of what is.
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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Abstraction is everybody's zero but nobody's nought.
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For many artists the universe is expanding for some it is contracting.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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As long as cameras are around no artist will be free of bewilderment.
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A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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Nature is never finished.
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