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Nature does not proceed in a straight line, it is rather a sprawling development.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Doe
Proceed
Straight
Line
Development
Lines
Rather
Artist
Nature
Sprawling

More quotes by Robert Smithson

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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
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Museums are tombs, and it looks like everything is turning into a museum.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
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Visiting a museum is a matter of going from void to void.
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I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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Artists are expected to fit into fraudulent categories.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Nature is never finished.
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Abstraction is everybody's zero but nobody's nought.
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As long as cameras are around no artist will be free of bewilderment.
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Artists themselves are not confined, but their output is.
Robert Smithson