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Nature does not proceed in a straight line, it is rather a sprawling development.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Rather
Artist
Nature
Sprawling
Doe
Proceed
Straight
Line
Development
Lines

More quotes by Robert Smithson

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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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As long as cameras are around no artist will be free of bewilderment.
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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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Language should find itself in the physical world, and not end up locked in an idea in somebody's head
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Museums are tombs, and it looks like everything is turning into a museum.
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Artists themselves are not confined, but their output is.
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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Nature is never finished.
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Language should be an ever developing procedure and not an isolated occurrence.
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Artists are expected to fit into fraudulent categories.
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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
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A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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Abstraction is everybody's zero but nobody's nought.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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The memory of what is not may be better than the amnesia of what is.
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Visiting a museum is a matter of going from void to void.
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For many artists the universe is expanding for some it is contracting.
Robert Smithson