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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
Robert Smithson
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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Limits
Asking
Takes
Curator
Rather
Exhibition
Artist
Confinement
Art
Imposes
Place
Exhibitions
Cultural
More quotes by Robert Smithson
The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
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Artists themselves are not confined, but their output is.
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Museums are tombs, and it looks like everything is turning into a museum.
Robert Smithson
Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
Robert Smithson
Artists are expected to fit into fraudulent categories.
Robert Smithson
Visiting a museum is a matter of going from void to void.
Robert Smithson
For many artists the universe is expanding for some it is contracting.
Robert Smithson
Language should be an ever developing procedure and not an isolated occurrence.
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The memory of what is not may be better than the amnesia of what is.
Robert Smithson
I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
Robert Smithson
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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An emotion is suggested and demolished in one glance by certain words.
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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
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Nature does not proceed in a straight line, it is rather a sprawling development.
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Abstraction is everybody's zero but nobody's nought.
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
Robert Smithson