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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Boom
Housing
Urban
Architecture
Sprawl
Infinite
Postwar
Number
Developments
Development
Entropy
Numbers
Contributed

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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
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Nature does not proceed in a straight line, it is rather a sprawling development.
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Language should be an ever developing procedure and not an isolated occurrence.
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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
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Abstraction is everybody's zero but nobody's nought.
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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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Artists themselves are not confined, but their output is.
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A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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For many artists the universe is expanding for some it is contracting.
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As long as cameras are around no artist will be free of bewilderment.
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Visiting a museum is a matter of going from void to void.
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Artists are expected to fit into fraudulent categories.
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