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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Robert Smithson
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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Past
Thus
Absorbed
Work
Garden
Gardening
Longer
Sculpture
Century
Representation
Values
Placed
Artist
Ideal
Social
Ideals
Political
Finished
Reinforcing
More quotes by Robert Smithson
For many artists the universe is expanding for some it is contracting.
Robert Smithson
The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
Robert Smithson
Nature does not proceed in a straight line, it is rather a sprawling development.
Robert Smithson
Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
Robert Smithson
Language should find itself in the physical world, and not end up locked in an idea in somebody's head
Robert Smithson
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
Robert Smithson
As long as cameras are around no artist will be free of bewilderment.
Robert Smithson
Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
Robert Smithson
Visiting a museum is a matter of going from void to void.
Robert Smithson
The memory of what is not may be better than the amnesia of what is.
Robert Smithson
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert Smithson
Artists themselves are not confined, but their output is.
Robert Smithson
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
Robert Smithson
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
Robert Smithson
Mistakes and dead-ends often mean more to these artists than any proven problem
Robert Smithson
Museums are tombs, and it looks like everything is turning into a museum.
Robert Smithson
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
Robert Smithson
Abstraction is everybody's zero but nobody's nought.
Robert Smithson
A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
Robert Smithson
An emotion is suggested and demolished in one glance by certain words.
Robert Smithson
