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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
Robert Smithson
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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Ground
Memories
Reality
Congealed
Past
Graveyards
Graveyard
Pretext
Museums
Parks
More quotes by Robert Smithson
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert Smithson
As long as cameras are around no artist will be free of bewilderment.
Robert Smithson
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
Robert Smithson
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
Robert Smithson
Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
Robert Smithson
Abstraction is everybody's zero but nobody's nought.
Robert Smithson
Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
Robert Smithson
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
Robert Smithson
Visiting a museum is a matter of going from void to void.
Robert Smithson
Language should be an ever developing procedure and not an isolated occurrence.
Robert Smithson
A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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For many artists the universe is expanding for some it is contracting.
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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
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Museums are tombs, and it looks like everything is turning into a museum.
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The memory of what is not may be better than the amnesia of what is.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Robert Smithson
Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
Robert Smithson
Nature does not proceed in a straight line, it is rather a sprawling development.
Robert Smithson
Nature is never finished.
Robert Smithson