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Artists are expected to fit into fraudulent categories.

Robert Smithson

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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Fraudulent
Categories
Expected
Fit
Artists
Artist

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Nature does not proceed in a straight line, it is rather a sprawling development.
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Abstraction is everybody's zero but nobody's nought.
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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
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Artists themselves are not confined, but their output is.
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Nature is never finished.
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The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
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Mistakes and dead-ends often mean more to these artists than any proven problem
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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The memory of what is not may be better than the amnesia of what is.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
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A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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An emotion is suggested and demolished in one glance by certain words.
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Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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As long as cameras are around no artist will be free of bewilderment.
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For many artists the universe is expanding for some it is contracting.
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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