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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
Robert Smithson
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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Art
Sinks
Time
Explosives
Regions
Faster
Rest
Less
History
Pulverized
Artist
Explosive
More quotes by Robert Smithson
A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
Robert Smithson
The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
Robert Smithson
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
Robert Smithson
Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
Robert Smithson
The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
Robert Smithson
Mistakes and dead-ends often mean more to these artists than any proven problem
Robert Smithson
I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
Robert Smithson
The memory of what is not may be better than the amnesia of what is.
Robert Smithson
Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
Robert Smithson
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
Robert Smithson
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
Robert Smithson
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert Smithson
Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
Robert Smithson
Artists are expected to fit into fraudulent categories.
Robert Smithson
Nature is never finished.
Robert Smithson
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
Robert Smithson
An emotion is suggested and demolished in one glance by certain words.
Robert Smithson
Artists themselves are not confined, but their output is.
Robert Smithson
Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
Robert Smithson
Nature does not proceed in a straight line, it is rather a sprawling development.
Robert Smithson
