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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
Robert Smithson
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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Explosives
Time
Regions
Faster
Rest
Less
Pulverized
History
Explosive
Artist
Sinks
Art
More quotes by Robert Smithson
Museums are tombs, and it looks like everything is turning into a museum.
Robert Smithson
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
Robert Smithson
A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.
Robert Smithson
Visiting a museum is a matter of going from void to void.
Robert Smithson
The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
Robert Smithson
Nature does not proceed in a straight line, it is rather a sprawling development.
Robert Smithson
Mistakes and dead-ends often mean more to these artists than any proven problem
Robert Smithson
Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
Robert Smithson
Abstraction is everybody's zero but nobody's nought.
Robert Smithson
Artists themselves are not confined, but their output is.
Robert Smithson
Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
Robert Smithson
Nature is never finished.
Robert Smithson
As long as cameras are around no artist will be free of bewilderment.
Robert Smithson
An emotion is suggested and demolished in one glance by certain words.
Robert Smithson
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert Smithson
Artists are expected to fit into fraudulent categories.
Robert Smithson
Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
Robert Smithson
Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
Robert Smithson
The museum spreads its surfaces everywhere, and becomes an untitled collection of generalizations that mobilize the eye.
Robert Smithson
The memory of what is not may be better than the amnesia of what is.
Robert Smithson