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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert Smithson
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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Work
Charge
World
Object
Surface
Outside
Objects
Disengaged
Becomes
Portable
Loses
Gallery
Art
Placed
More quotes by Robert Smithson
Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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Nature does not proceed in a straight line, it is rather a sprawling development.
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Language should find itself in the physical world, and not end up locked in an idea in somebody's head
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Artists are expected to fit into fraudulent categories.
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From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
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The memory of what is not may be better than the amnesia of what is.
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I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
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For many artists the universe is expanding for some it is contracting.
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A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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Museums are tombs, and it looks like everything is turning into a museum.
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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
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When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
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An emotion is suggested and demolished in one glance by certain words.
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Nature is never finished.
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The museums and parks are graveyards above the ground- congealed memories of the past that act as a pretext for reality.
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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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Some artists imagine they've got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control
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Mistakes and dead-ends often mean more to these artists than any proven problem
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