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A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
Robert Smithson
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Robert Smithson
Age: 35 †
Born: 1938
Born: January 2
Died: 1973
Died: July 20
Art Theorist
Artist
Conceptual Artist
Draftsperson
Drawer
Geologist
Land Artist
Painter
Photographer
Sculptor
Visual Artist
Passaic
New Jersey
Robert I. Smithson
Art
Placed
Work
Charge
World
Object
Surface
Outside
Objects
Disengaged
Becomes
Portable
Loses
Gallery
More quotes by Robert Smithson
Visiting a museum is a matter of going from void to void.
Robert Smithson
I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
Robert Smithson
Abstraction is everybody's zero but nobody's nought.
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Photographs are the results of a diminution of solar energy, and the camera is an entropic machine for recording gradual loss of light.
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Museums are tombs, and it looks like everything is turning into a museum.
Robert Smithson
A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
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The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
Robert Smithson
From the top of the quarry cliffs, one could see the New Jersey suburbs bordered by the New York City skyline.
Robert Smithson
For many artists the universe is expanding for some it is contracting.
Robert Smithson
Banal words function as a feeble phenomena that fall into their own mental bogs of meaning.
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Parks are idealizations of nature, but nature in fact is not a condition of the ideal.
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Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
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Instead of causing us to remember the past like the old monuments, the new monuments seem to cause us to forget the future
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Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.
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Language should be an ever developing procedure and not an isolated occurrence.
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An emotion is suggested and demolished in one glance by certain words.
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As long as cameras are around no artist will be free of bewilderment.
Robert Smithson
When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us
Robert Smithson
Artists themselves are not confined, but their output is.
Robert Smithson
Artists are expected to fit into fraudulent categories.
Robert Smithson