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Whenever there's chaos, there's ambiguity, and where there's ambiguity, there's fear. And fear gets manipulated.

Robert Redford

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Robert Redford
Age: 88
Born: 1936
Born: August 18
Actor
Businessperson
Environmentalist
Executive Producer
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Santa Monica
California
Robert Redford
Jr.
Ambiguity
Chaos
Whenever
Gets
Fear
Manipulated

More quotes by Robert Redford

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Have a strong vision about the story you want to tell and how you want to tell it.
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It's a creative enterprise, just like art, just like painting, music. Creating something can be done in different categories, so to do it in film is just another expression, which is great. Because it translates so well because so many people see the work, if you're lucky.
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So what if my face is falling apart? I don't give a damn. Anyway, it gives me character. Everyone thinks that they can stay pretty forever but some come out of Beverly Hills surgeries looking scary to me.
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God, I just love baseball.
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Storytellers broaden our minds: engage, provoke, inspire, and ultimately, connect us.
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When did Noah build the boat? - Before the rain.
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I guess there are different ways to handle success. You can multiply it financially and use it to multiply your net worth. That's always been very appealing to me.
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I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
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Lastly get emotionally connected to your story so you can deliver it, you know, if you can't deliver the emotions to your script there's no point to your story. Story is the key.
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'Butch Cassidy' was the only film I ever enjoyed making.
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Success is a tricky mistress. It's nice to have but it's a tricky thing to embrace.
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Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings a certain freshness and a reality to it, as long as it doesn't go too far out of the box.
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For me, personally, skiing holds everything. I used to race cars, but skiing is a step beyond that. It removes the machinery and puts you one step closer to the elements. And it's a complete physical expression of freedom.
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I'm not good at compromise.
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I'm not that interested in someone that one-dimensional, but I'm interested in playing somebody that's more complicated.
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Golf has become so manicured, so perfect. The greens, the fairways. I don't like golf carts. I like walking. Some clubs won't let you in unless you have a caddy and a cart.
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I don't remember spending any time with anybody on set. I don't spend a lot of time with people.
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He's meant to be that classic Homer, Ulysses, Hercules - a character who goes out or has some gift of some kind. He goes on a journey of discovery and part of that is falling into darkness - the temptations of life.
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I've been able to carve out spaces for myself. At Sundance, I'm in the mountains - my property is private. I get on a horse and ride for three, four hours. Sometimes five. I get lost. But when I'm in, I'm in.
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Part of me is drawn to the nature of sadness because I think life is sad, and sadness is not something that should be avoided or denied. It's a fact of life, like contradictions are.
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