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The big moment for me was making 'All the President's Men'. It was not about Watergate or President Nixon. I wanted to focus on something I thought not many people knew about: How do journalists get the story?
Robert Redford
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Robert Redford
Age: 88
Born: 1936
Born: August 18
Actor
Businessperson
Environmentalist
Executive Producer
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Santa Monica
California
Robert Redford
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People
Making
Journalists
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Watergate
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Nixon
More quotes by Robert Redford
I was seen in earlier years by family members and people of authority as somebody wasting his time. I had trouble with the restrictions of conformity. It made me edgy.
Robert Redford
I don't see myself as beautiful. I was a kid who was freckle-faced, and they used to call me 'hay head.'
Robert Redford
I'm not a facelift person. I am what I am.
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Other people have analysis. I have Utah.
Robert Redford
Success is a tricky mistress. It's nice to have but it's a tricky thing to embrace.
Robert Redford
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings a certain freshness and a reality to it, as long as it doesn't go too far out of the box.
Robert Redford
I have no regrets, because I've done everything I could to the best of my ability.
Robert Redford
I believe in mythology. I guess I share Joseph Campbell's notion that a culture or society without mythology would die, and we're close to that.
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I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
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Journalism has changed tremendously because of the democratization of information. Anybody can put something up on the Internet. It's harder and harder to find what the truth is.
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I don't think you can ever return, really.
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I don't know what your childhood was like, but we didn't have much money. We'd go to a movie on a Saturday night, then on Wednesday night my parents would walk us over to the library. It was such a big deal, to go in and get my own book.
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People are becoming more and more aware of how the dominance of development and business is altering their lives and, in particular, their own heritage.
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I think there was something that made us not pay attention to climate change. Something that was up there. There was a saying when we were trying to pay attention to the environment that people used this phrase NIMBY - not in my back yard. People were saying, ‘I don’t care, it is not in my back yard.’ But now it’s in everyone’s back yard.
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Because, you know, you're in Utah. And because of its political conservatism, if you can make it there, you can make it anywhere.
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Lastly get emotionally connected to your story so you can deliver it, you know, if you can't deliver the emotions to your script there's no point to your story. Story is the key.
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There's a lot of money to be made by strip-mining and drilling the dirtiest oil on the planet. But why should the rest of us pay the price?
Robert Redford
People are finally able to look around and say, 'I can see the drought, I can see the rising sea levels, I can see the crops dying. Okay, now I get it.' It is finally beginning to sink in that there has been a lot of damage.
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Between 18 and 19 years old [in the 1950s] I came to Paris. I studied art. And that experience really did change my life. I was living hand to mouth. I walked everywhere. I thought, this city is incredible but you really have to experience it by walking it.
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Ideas aren't real estate, they grow collectively and that knocks out the egotistical loneliness that generally infects art.
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