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I believe in mythology. I guess I share Joseph Campbell's notion that a culture or society without mythology would die, and we're close to that.

Robert Redford

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Robert Redford
Age: 88
Born: 1936
Born: August 18
Actor
Businessperson
Environmentalist
Executive Producer
Film Actor
Film Director
Film Producer
Stage Actor
Television Actor
Voice Actor
Santa Monica
California
Robert Redford
Jr.
Culture
Joseph
Without
Mythology
Believe
Notion
Would
Guess
Close
Share
Dies
Society
Campbell

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I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
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You work like hell to get yourself ahead in the business. You could go anywhere before, and suddenly you can't go anywhere. It's like being a cartoon character.
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I'm always moving forward and trying new things.
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You’re never going to be the same person you are right now.
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As an artist I just can't think of a better life than the one I've been blessed with. It's just a great ride.
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I've been able to carve out spaces for myself. At Sundance, I'm in the mountains - my property is private. I get on a horse and ride for three, four hours. Sometimes five. I get lost. But when I'm in, I'm in.
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Generally speaking, I went through that. I came to a place where I realised what true value was. It wasn't money. Money is a means to achieving an end, but it's not the end.
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If you could ever do a project that really has magic in it, and justifiable magic, you should do it.
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I enjoyed working with Dustin Hoffman. That was really fun. He decided that to really be effective as Woodward and Bernstein, considering their differences, we should spend some time together. Because Dustin and I were very different.
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I can't watch completed films - my wife makes fun of me.
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There's a lot of money to be made by strip-mining and drilling the dirtiest oil on the planet. But why should the rest of us pay the price?
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Part of me is drawn to the nature of sadness because I think life is sad, and sadness is not something that should be avoided or denied. It's a fact of life, like contradictions are.
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It's all about greed and money and it's the driving force in Hollywood.
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The tough thing about adulthood is it starts before you even know it starts.
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I think quiet sometime is a greater power than noise. It can harbor and reveal feelings that can't be expressed.
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Between 18 and 19 years old [in the 1950s] I came to Paris. I studied art. And that experience really did change my life. I was living hand to mouth. I walked everywhere. I thought, this city is incredible but you really have to experience it by walking it.
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I've always wanted to try new things because it's exciting and it keeps you active and alive.
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Television tells us only the things it wants to. It still feeds us heroes, it still offers villains. And even though we know better than to always trust it, we still watch.
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People are finally able to look around and say, 'I can see the drought, I can see the rising sea levels, I can see the crops dying. Okay, now I get it.' It is finally beginning to sink in that there has been a lot of damage.
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We've poisoned the air, the water, and the land. In our passion to control nature, things have gone out of control. Progress from now on has to mean something different. We're running out of resources and we are running out of time.
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