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I used to think of that line in Allen Ginsberg's 'Howl', about the 'sad cup of coffee'.. ..I have had cold coffee and hot coffee and lousy coffee, But I've never had a sad cup of coffee.
Robert Rauschenberg
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Robert Rauschenberg
Age: 82 †
Born: 1925
Born: October 22
Died: 2008
Died: May 12
Artist
Choreographer
Designer
Graphic Artist
Painter
Performance Artist
Photographer
Printmaker
Sculptor
Port Arthur
Texas
Milton Ernest Rauschenberg
Robert Milton Ernest Rauschenberg
Bob Rauschenberg
Matson Jones
Line
Cold
Ginsberg
Lines
Allen
Used
Lousy
Never
Howl
Think
Cups
Thinking
Hot
Coffee
More quotes by Robert Rauschenberg
Understanding is a form of blindness. Good art, I think, can never be understood.
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There is no reason not to consider the world as one gigantic painting.
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I feel as though the world is a friendly boy walking along in the sun.
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I've not been cursed with talent, which could be a great inhibitor.
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A canvas is never empty.
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I really feel sorry for people who think things like soap dishes or mirrors or Coke bottles are ugly, because they're surrounded by things like that all day long, and it must make them miserable.
Robert Rauschenberg
If I declare it to be so, then this is a portrait.
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I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
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You have to have the time to feel sorry for yourself in order to be a good abstract expressionist.
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An empty canvas is full.
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And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary
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I prefer images that are less specific, so there is room for everyone's imagination.
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Being right can stop all the momentum of a very interesting idea.
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You begin with the possibilities of the material.
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I don't think of myself as making art. I do what I do because I want to, because painting is the best way I've found to get along with myself.
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I think that in the last twenty years or so, there's been a new kind of honesty in painting where painters have been very proud of paint and have let it behave openly.
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An empty canvas is full only if you want it to be full.
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Having to be different is the same trap as having to be the same.
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I was much happier when I had less responsibility... when my only responsibility was to my work and to myself.
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This is a portrait of Iris Clert if I say so.
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