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I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.

Robert Rauschenberg

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Robert Rauschenberg
Age: 82 †
Born: 1925
Born: October 22
Died: 2008
Died: May 12
Artist
Choreographer
Designer
Graphic Artist
Painter
Performance Artist
Photographer
Printmaker
Sculptor
Port Arthur
Texas
Milton Ernest Rauschenberg
Robert Milton Ernest Rauschenberg
Bob Rauschenberg
Matson Jones
Went
Artificial
Beautiful
Luxury
Around
Allowed
Never
Brilliant
People
India
Dragging
Saws
Mud
Walking
Realised
Color
Colors

More quotes by Robert Rauschenberg

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My art is about paying attention - about the extremely dangerous possibility that you might be art.
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There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
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It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
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Even at this late date, I go into my studio, and I think 'Is this going to be it? Is it the end?' You see, nearly everything terrorizes me. When an artist loses that terror, he's through.
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I don't think of myself as making art. I do what I do because I want to, because painting is the best way I've found to get along with myself.
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The only thing that I could get with chance, and I never was able to use it, was that I would end up with something quite geometric or the spirit that I was interested in, indulging in, was gone.
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I was much happier when I had less responsibility... when my only responsibility was to my work and to myself.
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A canvas is never empty.
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You can't make either life or art, you have to work in the hole in between, which is undefined. That's what makes the adventure of painting.
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I prefer images that are less specific, so there is room for everyone's imagination.
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I feel strong in my belief, based on my widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share information, hopefully seducing us into creating mutual understandings for the benefit of all.
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The working process is ideally freeing my mind.
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I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
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I feel as though the world is a friendly boy walking along in the sun.
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You begin with the possibilities of the material.
Robert Rauschenberg
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And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary
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There was a whole language that I could never make function for myself it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint - I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.
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I think that in the last twenty years or so, there's been a new kind of honesty in painting where painters have been very proud of paint and have let it behave openly.
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It's so easy to be undisciplined. And to be disciplined is so against my character, my general nature anyway, that I have to strain a little bit to keep on the right track.
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Sometimes I have taken photographs and just felt so excited that I could barely hold the camera steady, and the photo was boring.
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