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I feel as though the world is a friendly boy walking along in the sun.

Robert Rauschenberg

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Robert Rauschenberg
Age: 82 †
Born: 1925
Born: October 22
Died: 2008
Died: May 12
Artist
Choreographer
Designer
Graphic Artist
Painter
Performance Artist
Photographer
Printmaker
Sculptor
Port Arthur
Texas
Milton Ernest Rauschenberg
Robert Milton Ernest Rauschenberg
Bob Rauschenberg
Matson Jones
Feels
World
Friendly
Sun
Walking
Along
Boys
Though
Feel

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Being right can stop all the momentum of a very interesting idea.
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Even at this late date, I go into my studio, and I think 'Is this going to be it? Is it the end?' You see, nearly everything terrorizes me. When an artist loses that terror, he's through.
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Success is a worn down pencil.
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I prefer images that are less specific, so there is room for everyone's imagination.
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You have to have the time to feel sorry for yourself in order to be a good abstract expressionist.
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You begin with the possibilities of the material.
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I don't like masterpieces having one-night stands in collectors' homes between auctions.
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It's when you've found out how to do certain things, that it's time to stop doing them, because what's missing is that you're not including the risk.
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You can't make either life or art, you have to work in the hole in between, which is undefined. That's what makes the adventure of painting.
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It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
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People ask me, 'Don't you ever run out of ideas?' In the first place I don't use ideas. Every time I have an idea it's too limiting, and usually turns out to be a disappointment. But I haven't run out of curiosity.
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Having to be different is the same trap as having to be the same.
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My art is about paying attention - about the extremely dangerous possibility that you might be art.
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Most artists try to break your heart, or they accidentally break their own hearts.But I find the quietness in the ordinary much more satisfying.
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But I was in awe of the painters I mean I was new in New York, and I thought the painting that was going on here was just unbelievable
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I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
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I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
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Every time I've moved, my work has changed radically.
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