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The fact that something is in a rhymed form or in blank verse will not make it good poetry.

Robert Morgan

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Robert Morgan
Age: 80
Born: 1944
Born: October 3
Biographer
Novelist
Poet
Hendersonville
North Carolina
Facts
Form
Rhymed
Something
Rhyming
Make
Verse
Good
Verses
Blank
Poetry
Fact

More quotes by Robert Morgan

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A lot of my students are Asian-American, and it has been thrilling to watch them break through the stereotypes into something alive and surprising.
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The great watershed of modern poetry is French, more than English.
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If a poem is not memorable, there's probably something wrong. One of the problems of free verse is that much of the free verse poetry is not memorable.
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I think that it's more likely that in my 60s and 70s I will be writing poetry rather than fiction.
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In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.
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I considered going to film school I took a course in film and was very interested in filmmaking as well as film writing.
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Young writers find their first audience in little magazines, and experimental writers find their only audience there.
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Southern poets are still writing narrative poems, poems in forms, dramatic poems.
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Alchemy is the art of far and near, and I think poetry is alchemy in that way. It's delightful to distort size, to see something that's tiny as though it were vast.
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I don't think poetry is something that can be taught. We can encourage young writers, but what you can't teach them is the very essence of poetry.
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Some people swear by writing courses, but whether it really helps American poetry, I have doubts.
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In the best fiction, the language itself can become almost invisible.
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When you have an idea for a story, you want those characters to reach as many people as you can. I think you normally think of prose as a way of doing that. It fits our time, the culture.
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In the later books I am much more at home in the use of language to describe things. I had never thought of that until a critic pointed that out.
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One of the most powerful devices is to distort time, to go from human time to atomic time, geologic time. Sometimes you can actually accomplish that, with one unexpected word choice.
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The decision to write in prose instead of poetry is made more by the readers than by writers. Almost no one is interested in reading narrative in verse.
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Pound's translation of Chinese poetry was maybe the most important thing I read. Eliot a little bit later.
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One of the most powerful devices of poetry is the use of distortions. You can go from talking about the way a minute passes to the way a century passes, or a lifetime.
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I love to create interesting textures with language. You can do it as long as it seems like a discovery.
Robert Morgan
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It was less a literary thing than a linguistic, philosophical preoccupation... discovering how far you can go with language to create immediate, elementary experience.
Robert Morgan