Quote

I did not have a very literary background. I came to poetry from the sciences and mathematics, and also through an interest in Japanese and Chinese poetry in translation.

Robert Morgan

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Robert Morgan
Age: 80
Born: 1944
Born: October 3
Biographer
Novelist
Poet
Hendersonville
North Carolina
Backgrounds
Chinese
Mathematics
Translation
Poetry
Translations
Came
Sciences
Interest
Japanese
Also
Literary
Background

More quotes by Robert Morgan

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The fact that something is in a rhymed form or in blank verse will not make it good poetry.
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In the later books I am much more at home in the use of language to describe things. I had never thought of that until a critic pointed that out.
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It was less a literary thing than a linguistic, philosophical preoccupation... discovering how far you can go with language to create immediate, elementary experience.
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I think that it's more likely that in my 60s and 70s I will be writing poetry rather than fiction.
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Some people swear by writing courses, but whether it really helps American poetry, I have doubts.
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I don't think poetry is something that can be taught. We can encourage young writers, but what you can't teach them is the very essence of poetry.
Robert Morgan
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The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.
Robert Morgan
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Among the American contemporaries I read with most enjoyment are several North Carolinians. I think the best poetry being written these days is being written by Southerners.
Robert Morgan
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In the best fiction, the language itself can become almost invisible.
Robert Morgan
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When you have an idea for a story, you want those characters to reach as many people as you can. I think you normally think of prose as a way of doing that. It fits our time, the culture.
Robert Morgan
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I considered going to film school I took a course in film and was very interested in filmmaking as well as film writing.
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I write as a way of keeping myself going. You build your life around writing, and it's what gets you through. So it's partly just curiosity to see what you can do.
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One of the most powerful devices is to distort time, to go from human time to atomic time, geologic time. Sometimes you can actually accomplish that, with one unexpected word choice.
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Young writers find their first audience in little magazines, and experimental writers find their only audience there.
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We have a lot of long narrative poems written in the 20th century, but they're not very well known, and they're not read by very many people.
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I encourage students to pursue an idea far enough so they can see what the cliches and stereotypes are. Only then do they begin to hit pay dirt.
Robert Morgan
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Some people want to call me an Appalachian writer, even though I know some people use regional labels to belittle.
Robert Morgan
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The decision to write in prose instead of poetry is made more by the readers than by writers. Almost no one is interested in reading narrative in verse.
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We don't want to live in the dark moods of imponderable mystery, but neither do we want to miss them altogether. they allow us to emerge from the tender sadness of the manger to sing with the angels in the skies above.
Robert Morgan
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Poetry, almost by definition, calls attention to its language and form.
Robert Morgan