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We have entered a period of intolerance which combines, as it sometimes does in America, with a sugary taste for euphemism.

Robert Hughes

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Robert Hughes
Age: 74 †
Born: 1938
Born: July 28
Died: 2012
Died: August 6
Art Critic
Art Historian
Critic
Narrator
Screenwriter
Television Presenter
Writer
Sydney
NSW
Robert Studley Forrest Hughes
Taste
Euphemism
Doe
Combines
America
Entered
Sometimes
Intolerance
Persecution
Tolerance
Period
Periods
Sugary

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The greater the artist, the greater the doubt perfect confidence is granted to the less talented as a consolation prize.
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One thing is sure: the Sagrada Familia is the first Catholic temple whose bacon was ever saved by Shinto tourism. Not even Gaudi, who believed in miracles, could have forseen that.
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Now that rates are moving up, we're seeing more aggressive offerings from banks.
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An ideal museum show would be a mating of Brideshead Revisited with House & Garden, provoking intense and pleasurable nostalgia for a past that none of its audience has had.
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A Gustave Courbet portrait of a trout has more death in it than Rubens could get in a whole Crucifixion.
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Nevertheless, what was made in the hope of transforming the world need not be rejected because it failed to do so – otherwise, one would also have to throw out a good deal of the greatest painting and poetry of the nineteenth century. An objective political failure can still work as a model of intellectual affirmation or dissent.
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Fishing largely consists of not catching fish failure is as much a part of the sport as knee injuries are of football.
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We want to create a sort of linguistic Lourdes, where evil and misfortune are dispelled by a dip in the waters of euphemism
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On Platini's presidential watch... he has to balance all the leagues, all the dreams and needs of hundreds of clubs across his continent.
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What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
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Why should we expect modernist taste to be any smarter than premodernist or postmodernist?
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One gets tired of the role critics are supposed to have in this culture: It's like being the piano player in a whorehouse you don't have any control over the action going on upstairs.
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