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We have entered a period of intolerance which combines, as it sometimes does in America, with a sugary taste for euphemism.

Robert Hughes

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Robert Hughes
Age: 74 †
Born: 1938
Born: July 28
Died: 2012
Died: August 6
Art Critic
Art Historian
Critic
Narrator
Screenwriter
Television Presenter
Writer
Sydney
NSW
Robert Studley Forrest Hughes
Periods
Sugary
Taste
Euphemism
Doe
Combines
America
Entered
Sometimes
Intolerance
Persecution
Tolerance
Period

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What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
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An ideal museum show would be a mating of Brideshead Revisited with House & Garden, provoking intense and pleasurable nostalgia for a past that none of its audience has had.
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The greater the artist, the greater the doubt perfect confidence is granted to the less talented as a consolation prize.
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On Platini's presidential watch... he has to balance all the leagues, all the dreams and needs of hundreds of clubs across his continent.
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Nevertheless, what was made in the hope of transforming the world need not be rejected because it failed to do so – otherwise, one would also have to throw out a good deal of the greatest painting and poetry of the nineteenth century. An objective political failure can still work as a model of intellectual affirmation or dissent.
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It was a secular cathedral, dedicated to the rites of travel.
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Drawing never dies, it holds on by the skin of its teeth, because the hunger it satisfies – the desire for an active, investigative, manually vivid relation with the things we see and yearn to know about – is apparently immortal.
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Fishing largely consists of not catching fish failure is as much a part of the sport as knee injuries are of football.
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One gets tired of the role critics are supposed to have in this culture: It's like being the piano player in a whorehouse you don't have any control over the action going on upstairs.
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What strip mining is to nature the art market has become to culture.
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