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We want to create a sort of linguistic Lourdes, where evil and misfortune are dispelled by a dip in the waters of euphemism

Robert Hughes

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Robert Hughes
Age: 74 †
Born: 1938
Born: July 28
Died: 2012
Died: August 6
Art Critic
Art Historian
Critic
Narrator
Screenwriter
Television Presenter
Writer
Sydney
NSW
Robert Studley Forrest Hughes
Water
Dip
Evil
Misfortune
Waters
Misfortunes
Australia
Lourdes
Create
Dispelled
Sort
Euphemism
Wisdom
Linguistic

More quotes by Robert Hughes

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One gets tired of the role critics are supposed to have in this culture: It's like being the piano player in a whorehouse you don't have any control over the action going on upstairs.
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Fishing largely consists of not catching fish failure is as much a part of the sport as knee injuries are of football.
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On Platini's presidential watch... he has to balance all the leagues, all the dreams and needs of hundreds of clubs across his continent.
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The new job of art is to sit on the wall and get more expensive.
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There is virtue in virtuosity, especially today, when it protects us from the tedious spectacle of ineptitude.
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The greater the artist, the greater the doubt perfect confidence is granted to the less talented as a consolation prize.
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If you want to be successful in the gym, in the classroom, in college or when you get out and go into the world of work, that is going to be determined by how hard you are willing to work.
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We have entered a period of intolerance which combines, as it sometimes does in America, with a sugary taste for euphemism.
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An ideal museum show would be a mating of Brideshead Revisited with House & Garden, provoking intense and pleasurable nostalgia for a past that none of its audience has had.
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One thing is sure: the Sagrada Familia is the first Catholic temple whose bacon was ever saved by Shinto tourism. Not even Gaudi, who believed in miracles, could have forseen that.
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Why wait for a call when you have a command?
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What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
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Why should we expect modernist taste to be any smarter than premodernist or postmodernist?
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What strip mining is to nature the art market has become to culture.
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It was a secular cathedral, dedicated to the rites of travel.
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Now that rates are moving up, we're seeing more aggressive offerings from banks.
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A Gustave Courbet portrait of a trout has more death in it than Rubens could get in a whole Crucifixion.
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We've got a recipe for disaster. It's huge -- this combination of body image issues and the drug's weight loss appeal.
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Drawing never dies, it holds on by the skin of its teeth, because the hunger it satisfies – the desire for an active, investigative, manually vivid relation with the things we see and yearn to know about – is apparently immortal.
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There's no geist like the Zeitgeist.
Robert Hughes