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Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor.

Robert Grudin

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Robert Grudin
Age: 86
Born: 1938
Born: March 11
Novelist
Philosopher
Writer
Newark
New Jersey
Around
Aspect
Approaches
Whole
Approach
Statues
Must
Students
Mentally
Great
Walk
Aspects
Never
Walks
Metaphor
Time
Position
Variety
Like
Seeing
Parts
Pandemonium
Art
Using
Statue

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The goal of discoverers is not to outdistance their peers, but to transcend themselves.
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Because it is a radical act of freedom, creative achievement is a heroic process that requires, in all its permutations, specific strengths of character.
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We are wistful about the golden days of the past and dream of a distant future unclouded by necessity. But I suspect that if our inner souls were asked what in life they really missed, the answer would be primal danger and stress.
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Creativity is dangerous. We cannot open ourselves to new insights without endangering the security of our prior assumptions. We cannot propose new ideas without risking disapproval and rejection.
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The extent to which we live from day to day, from week to week, intent on details and oblivious to larger presences, is a gauge of our impoverishment in time.
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Plans made swiftly and intuitively are likely to have flaws. Plans made carefully and comprehensively are sure to.
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The fundamental motive of true teaching is the love that seeks and studies and performs.
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Excellence of mind itself, rightly conceived, is expertise in beauty creativity is wise love.
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Written truth is four-dimensional. If we consult it at the wrong time, or read it at the wrong place, it is as empty and shapeless as a dress on a hook.
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The reason so many promises are not kept is the same as the reason they are made in the first place.
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Fast drivers can see no further than slow drivers, but they must look further down the road to time their reactions safely. Similarly, people with great projects afoot habitually look further and more clearly into the future than people who are mired in day-to-day concerns.
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In the landscape of time, there are few locations less comfortable than that of one who waits for some person or event to arrive at some unknown moment in the future.
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To be open to inspiration, one must cultivate a leaning for the problematic, a chronic attraction to things that do not totally fit, agree, or make sense. Inspired ideas are less often solutions to old problems than newly discovered or totally reformulated problems - problems 'created' like brilliant works of art.
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Those who labor for bread or money alone are condemned to their reward.
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The happy individual is able to renew daily and with full consciousness all the basic expressions of human identity: work, love, communication, play, and rest.
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You may cure yourself of a depression by forcing yourself to perform, in rapid order and with excruciating concentration, half a dozen or so unpleasant chores, especially if they have long been postponed. This is a kind of homeopathic purgative, a treatment of like with like.
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Psychologically time is seldom homogenous but rather is as full of shapes as space.
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We struggle with, agonize over and bluster heroically about the great questions of life when the answers to most of these lie hidden in our attitude toward the thousand minor details of each day.
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The future is like the daytime moon, a diffident but faithful companion, so elegant as to be almost invisible, an inconspicuous marvel.
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Great drama, like the energy implicit in every atom, is eternally around and within us, but liberated only by coincidence, ceremony, creativity, periods reaching completion, pressures reaching the bursting point, and the simple but painful cultivation of awareness.
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