Quote

The extent to which we live from day to day, from week to week, intent on details and oblivious to larger presences, is a gauge of our impoverishment in time.

Robert Grudin

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Robert Grudin
Age: 86
Born: 1938
Born: March 11
Novelist
Philosopher
Writer
Newark
New Jersey
Time
Gauges
Oblivious
Intent
Larger
Extent
Details
Presences
Week
Impoverishment
Live
Gauge

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True teachers not only impart knowledge and method but awaken the love of learning by their own reflected love.
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Creativity is dangerous. We cannot open ourselves to new insights without endangering the security of our prior assumptions. We cannot propose new ideas without risking disapproval and rejection.
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Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor.
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Those who labor for bread or money alone are condemned to their reward.
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The future is like the daytime moon, a diffident but faithful companion, so elegant as to be almost invisible, an inconspicuous marvel.
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Fast drivers can see no further than slow drivers, but they must look further down the road to time their reactions safely. Similarly, people with great projects afoot habitually look further and more clearly into the future than people who are mired in day-to-day concerns.
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To be open to inspiration, one must cultivate a leaning for the problematic, a chronic attraction to things that do not totally fit, agree, or make sense. Inspired ideas are less often solutions to old problems than newly discovered or totally reformulated problems - problems 'created' like brilliant works of art.
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Plans made swiftly and intuitively are likely to have flaws. Plans made carefully and comprehensively are sure to.
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The limitation in our ability to perceive broad distinctions in scope can be applied to our moral and temporal responses.... We agonize over a dinner menu, or have engine trouble on the way to work and for seconds or minutes our cosmos shrinks to a miniscule volume of being, an epic of cheese sauces or tragedy of fanbelts.
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All great experience has a guarded entrance and a windowless facade.
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We struggle with, agonize over and bluster heroically about the great questions of life when the answers to most of these lie hidden in our attitude toward the thousand minor details of each day.
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Every home should have a room, or at least a nook with two chairs, where it is a sin punishable by immediate expulsion to speak of money, business, politics or the state of one's teeth.
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The happy individual is able to renew daily and with full consciousness all the basic expressions of human identity: work, love, communication, play, and rest.
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The fundamental motive of true teaching is the love that seeks and studies and performs.
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You may cure yourself of a depression by forcing yourself to perform, in rapid order and with excruciating concentration, half a dozen or so unpleasant chores, especially if they have long been postponed. This is a kind of homeopathic purgative, a treatment of like with like.
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Written truth is four-dimensional. If we consult it at the wrong time, or read it at the wrong place, it is as empty and shapeless as a dress on a hook.
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In the landscape of time, there are few locations less comfortable than that of one who waits for some person or event to arrive at some unknown moment in the future.
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The reason so many promises are not kept is the same as the reason they are made in the first place.
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The goal of discoverers is not to outdistance their peers, but to transcend themselves.
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Because it is a radical act of freedom, creative achievement is a heroic process that requires, in all its permutations, specific strengths of character.
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