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There is a difference between being a timekeeper and keeping the pulse or being in step with the pulse in the band.

Robert Fripp

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Robert Fripp
Age: 78
Born: 1946
Born: May 16
Composer
Guitarist
Jazz Guitarist
Motivational Speaker
Musician
Record Producer
Recording Artist
Songwriter
Wimborne Minster
Dorset
Band
Difference
Steps
Differences
Pulse
Keeping
Step

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Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.
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I recommend my students not to be professional unless they really have to be. I tell them, 'If you love music, sell Hoovers or be a plumber. Do something useful with your life.'
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Music is the cup which holds the wine of silence.
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Music can be transformative, utterly transformative. The act of music is utterly transformative.
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Me and a book is a party. Me and a book and a cup of coffee is an orgy.
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If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.
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According to USA today, the average length of an attention span of a man in America is 23 minutes.
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Business logic and musical logic are utterly incompatible.
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If the audience doesn't hear what is going on, is it going on?
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The science is in knowing the art in perceiving.
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Music is the cup that holds the wine of silence. Sound is that cup, but empty. Noise is that cup, but broken.
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In terms of an identity, an identity reflects an individuality, by definition. And, if there is a quality present, it is recognizable and it can be named. If you can't name it, it means you don't recognize it.
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To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit.
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However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.
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Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.
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If you are playing repertoire material, you're stuck. There's not huge amounts you can do.
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The aim is freedom conscience and truth
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Understanding is simple. Knowing is complicated.
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So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending.
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My life as a professional musician is a joyless exercise in futility.
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