Quote

But above that, most mature adults can hold their attention on something for 45 minutes, whether they like it or not. But above that requires training.

Robert Fripp

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Robert Fripp
Age: 78
Born: 1946
Born: May 16
Composer
Guitarist
Jazz Guitarist
Motivational Speaker
Musician
Record Producer
Recording Artist
Songwriter
Wimborne Minster
Dorset
Minutes
Attention
Whether
Something
Mature
Like
Requires
Adults
Training
Hold

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What has changed in 40 years? It’s very simple: 40 years ago there was a market economy. Today there is a market society – today everything, including ethics, has a price.
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If the audience doesn't hear what is going on, is it going on?
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If you are playing repertoire material, you're stuck. There's not huge amounts you can do.
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Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.
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According to USA today, the average length of an attention span of a man in America is 23 minutes.
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Beginner's luck is great for beginners.
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Music is the wine that fills the cup of silence.
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That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
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To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit.
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The aim is freedom conscience and truth
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Music so wishes to be heard that it sometimes calls on unlikely characters to give it voice.
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Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.
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Discipline is never an end in itself, only a means to an end.
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My life as a professional musician is a joyless exercise in futility.
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There is a difference between being a timekeeper and keeping the pulse or being in step with the pulse in the band.
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Understanding is simple. Knowing is complicated.
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Business logic and musical logic are utterly incompatible.
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Music can be transformative, utterly transformative. The act of music is utterly transformative.
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I recommend my students not to be professional unless they really have to be. I tell them, 'If you love music, sell Hoovers or be a plumber. Do something useful with your life.'
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However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.
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