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Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.
Robert Fripp
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Robert Fripp
Age: 78
Born: 1946
Born: May 16
Composer
Guitarist
Jazz Guitarist
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Record Producer
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Wimborne Minster
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Timing
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I recommend my students not to be professional unless they really have to be. I tell them, 'If you love music, sell Hoovers or be a plumber. Do something useful with your life.'
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Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.
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In terms of an identity, an identity reflects an individuality, by definition. And, if there is a quality present, it is recognizable and it can be named. If you can't name it, it means you don't recognize it.
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That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
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Music is the cup which holds the wine of silence.
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Use your ears to record and your eyes to video.
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To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit.
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My life has improved so much since I stopped doing interviews.
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Business logic and musical logic are utterly incompatible.
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There is a difference between being a timekeeper and keeping the pulse or being in step with the pulse in the band.
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If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.
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If you are playing repertoire material, you're stuck. There's not huge amounts you can do.
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However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.
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What has changed in 40 years? It’s very simple: 40 years ago there was a market economy. Today there is a market society – today everything, including ethics, has a price.
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So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending.
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Understanding is simple. Knowing is complicated.
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