Quote

So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending.

Robert Fripp

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Robert Fripp
Age: 78
Born: 1946
Born: May 16
Composer
Guitarist
Jazz Guitarist
Motivational Speaker
Musician
Record Producer
Recording Artist
Songwriter
Wimborne Minster
Dorset
Different
Area
Going
Areas
Something
Meet
Railway
Completely
Simultaneously
Playing
Depending
Particular
Station
Middle
Orchestra
Ends
Stations

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My life as a professional musician is a joyless exercise in futility.
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Music can be transformative, utterly transformative. The act of music is utterly transformative.
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To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit.
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The aim is freedom conscience and truth
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Use your ears to record and your eyes to video.
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If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.
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If the audience doesn't hear what is going on, is it going on?
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Music so wishes to be heard that it sometimes calls on unlikely characters to give it voice.
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Music is the wine that fills the cup of silence.
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Me and a book is a party. Me and a book and a cup of coffee is an orgy.
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Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.
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That certain feeling happened to me in a big way quite often with the first King Crimson. Amazing things would happen-I mean, telepathy, qualities of energy, things that I had never experienced before with music. You can't tell whether the music is playing the musician or the musician is playing the music.
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Business logic and musical logic are utterly incompatible.
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If you are playing repertoire material, you're stuck. There's not huge amounts you can do.
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