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We often think that tragedies happen because of great earthquakes in people's lives. I think they sometimes occur because of small things that become obsessive to a particular person.

Robert Cormier

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Robert Cormier
Age: 75 †
Born: 1925
Born: January 17
Died: 2000
Died: November 2
Author
Journalist
Writer
Bay State
Robert Edmund Cormier
Think
Often
Earthquakes
Thinking
Happens
Obsessive
People
Become
Occur
Persons
Tragedy
Person
Particular
Sometimes
Happen
Great
Small
Things
Lives
Tragedies

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I have lived a thousand lives lost within the pages of a book.
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A terrific sadness swept over Jerry. As if somebody had died. The way he felt standing in the cemetry that day they buried his mother. And nothing you could do about it.
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I don't think I began to be a professional writer until I learned my weaknesses and what I couldn't do. This forced me to compensate.
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He hated to think of his own life stretching ahead of him that way, a long succession of days and nights that were fine - not good, not bad, not great, not lousy, not exciting, not anything.
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I sometimes get tired because I can seldom read a book for pleasure. I'm like the play reviewer who happens to go to a play on an off day and can't help but view it critically.
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Cities fell. Earth opened. Planets tilted. Stars plummeted. And the awful silence.
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The beautiful part of writing is that you don't have to get it right the first time, unlike, say, a brain surgeon. You can always do it better, find the exact word, the apt phrase, the leaping simile.
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Archie became absolutely still, afraid that the rapid beating of his heart might betray his sudden knowledge, the proof of what he'd always suspected, not only of Brother Leon but most grownups, most adults: they were vulnerable, running scared, open to invasion.
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It doesn't matter how big the body, it's what you do with it.
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You bring up your children to be self-reliant and independent and they double-cross you and become self-reliant and independent.
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When I write, I never think of segments as chapters I think of them as scenes. I always visualize them in my mind. Then I try to get the scene down on paper as closely as I can. That's the one thing that readers don't see - what you have in your mind. The reader can only see what you get on the page.
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There are no taboos. Every topic is open, however shocking. It is the way that the topics are handled that's important, and that applies whether it is a 15-year-old who is reading your book or someone who is 55.
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And he did see--that life was rotten, that there were no heroes, really, and that you couldn't trust anybody, not even yourself.
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I have always had a sense that we are all pretty much alone in life, particularly in adolescence.
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I've had aunts and uncles who not only haven't read my books but could hardly believe that I was a writer.
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He was swept with a sadness, a sadness deep and penetrating, leaving him desolate like someone washed up on a beach, a lone survivor in a world full of strangers.
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I had my bully, and it was excruciating. Not only the bully, but the intimidation I felt.
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There are moments that stop the heart, that catch the breath, that halt the beat of blood in your veins, and you are suspended in time, held between life and death, and you wait for something to bring you back again.
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I simply write with an intelligent reader in mind. I don't think about how old they are.
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Why did the wise guys always accuse other people of being wise guys?
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