Quote

There are moments that stop the heart, that catch the breath, that halt the beat of blood in your veins, and you are suspended in time, held between life and death, and you wait for something to bring you back again.

Robert Cormier

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Robert Cormier
Age: 75 †
Born: 1925
Born: January 17
Died: 2000
Died: November 2
Author
Journalist
Writer
Bay State
Robert Edmund Cormier
Waiting
Breaths
Death
Beat
Moments
Held
Back
Beats
Suspended
Heart
Wait
Halt
Something
Blood
Veins
Time
Bring
Catch
Life
Stop
Breath

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He was swept with a sadness, a sadness deep and penetrating, leaving him desolate like someone washed up on a beach, a lone survivor in a world full of strangers.
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Family life was wonderful. The streets were bleak. The playgrounds were bleak. But home was always warm. My mother and father had a great relationship. I always felt 'safe' there.
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Archie became absolutely still, afraid that the rapid beating of his heart might betray his sudden knowledge, the proof of what he'd always suspected, not only of Brother Leon but most grownups, most adults: they were vulnerable, running scared, open to invasion.
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Cities fell. Earth opened. Planets tilted. Stars plummeted. And the awful silence.
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...pain reaches a certain point and does not get worse but remains in all its intensity and you can survive it.
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I have lived a thousand lives lost within the pages of a book.
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I simply write with an intelligent reader in mind. I don't think about how old they are.
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I find that most books that I don't like are those in which the authors have indulged themselves. I can almost sense when they're writing something for themselves.
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A terrific sadness swept over Jerry. As if somebody had died. The way he felt standing in the cemetry that day they buried his mother. And nothing you could do about it.
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I sometimes get tired because I can seldom read a book for pleasure. I'm like the play reviewer who happens to go to a play on an off day and can't help but view it critically.
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You hope that people read your book and say Yes, this is the way it is or could be. But then you have no way of knowing until the reader reads the book. Actually, the critical response doesn't worry me. I've had very few reviews that have upset me.
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I don't think I began to be a professional writer until I learned my weaknesses and what I couldn't do. This forced me to compensate.
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Everybody sins, Francis. The terrible thing is that we love our sins. We love the thing that makes us evil.
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It would be nice to avoid the world, to leave it and all its threats and unhappiness. Not to die or anything like that, but to find a place of solitude and solace.
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And he did see--that life was rotten, that there were no heroes, really, and that you couldn't trust anybody, not even yourself.
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I can't remember a time when I wasn't trying to get something down on paper.
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Kids tell me all the time, I don't know how you do it, but that's us in the book. That's the kind of response you want, and I can't sacrifice it for the sake of somebody worried about censorship. You have to find a way to be truthful and honest.
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I had my bully, and it was excruciating. Not only the bully, but the intimidation I felt.
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The beautiful part of writing is that you don't have to get it right the first time, unlike, say, a brain surgeon. You can always do it better, find the exact word, the apt phrase, the leaping simile.
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They don't actually want you to do your own thing, not unless it's their thing too.
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