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Some things are taken away from you, some you leave behind and some you carry with you, world without end.
Robert Charles Wilson
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Robert Charles Wilson
Age: 70
Born: 1953
Born: December 15
Author
Novelist
Science Fiction Writer
Writer
Whittier
California
World
Behinds
Behind
Leave
Taken
Away
Ends
Without
Things
Carry
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If I am an agnostic, Calyxa, it's because I'm also a realist.
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An honest book is almost as good as a friend.
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Everybody falls, and we all land somewhere.
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Times like this, with the wind moving the grass and curling around her like a huge cool hand, Tess felt the world as a second presence, as another person, as if the wind and the grass had voices of their own and she could hear them talking.
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There's no drug that'll make a stupid man smart.
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One doesn't have to understand in order to look. One has to look, in order to understand.
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These movies belonged to the twentieth and early twenty-first centuries that period of great, unsustainable, and hedonistic prosperity, driven by the burning of Earth's reserves of perishable oil, which culminated in the False Tribulation, and the wars, and the plagues, and the painful dwindling of inflated populations to more reasonable numbers.
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Do you want to tell the truth, or do you want to tell a story?
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The conversation was mesmerizing, not for its content but for the cadences of the talk, the rhythm we fell into when we were alone, now as before. Every conversation between friends or lovers creates its own easy or awkward rhythms, hidden talk that runs like a subterranean river under even the most banal exchange.
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Nobody wants to conduct an autopsy on a dead saint.
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When does loyalty become martyrdom?
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I understand so very little. But I am not afraid to look: I am a good observer at last. My eyes are open, and I am not afraid.
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For such people the consummate act of moral clarity was a lynching or a suicide bombing, a fatwa or a pogrom. And they were ascendant now, rising like dark stars over a terminal landscape .
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And death? I don't fear death. I dread the absence of it.
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Average people seldom talked about anything interesting and often hurt each other savagely.
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Promises were like bad checks, easy to write and hard to cash.
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The attacking piece displaces its victim. The vanquished piece leaves the plane of the board entirely. But it does not, in a higher sense, cease to exist.
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John Scalzi is a fresh and appealing new voice, and Old Man's War is classic SF seen from a modern perspective—a fast-paced tour of a daunting, hostile universe.
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