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Herman Brown was a businessman who wanted value for money spent. His relationships with politicians were measured by that criterion.

Robert Caro

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Robert Caro
Age: 88
Born: 1935
Born: October 30
Historian
Journalist
Writer
New York City
New York
Robert Allan Caro
Robert A. Caro
Money
Politicians
Political
Brown
Wanted
Relationships
Spent
Herman
Politician
Criterion
Value
Criteria
Politics
Businessman
Values
Measured

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I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
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Everything seems to be going faster and faster. It's really harder to create something that endures. The New York City Ballet has succeeded in doing that.
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I sometimes feel that if your book sells more than 20 years, then there's something in it that you can say, gee, I did something that endures, that's timeless
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Whenever I go to work I wear a jacket and a tie, because I'm inherently quite lazy, and my books take so long to do, and my publishers don't bug me, so it's so easy to fool yourself into thinking you're working harder than you really are.
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Sometimes during a ballet I'll look around and see all these rows of intent faces, concentrating on this beautiful thing up on the stage.
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I trained myself to be organized.
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My interest is in power. How power works.
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Ballet is sort of a mystery to me. And I don't want to unravel that mystery.
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You have to be an extremely good reader to appreciate what a good writer is. There are some people who are completely insensitive to good writing.
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At the ballet, you really feel like you're in the presence of something outside the rest of your life. Higher than the rest of your life.
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If it's coming near the end of a chapter and I'm really getting into it, I tend to get up earlier and earlier, just because I'm excited to get to work.
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I try to have a mood or a rhythm for a chapter.
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My predictions are notably inaccurate
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Lyndon Johnson, as majority leader of the United States Senate, he made the Senate work
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I never wanted to do biography just to tell the life of a famous man. I always wanted to use the life of a man to examine political power, because democracy shapes our lives
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Nobody believes this, but I write very fast.
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There's a feeling about it. You feel almost like a cabinetmaker, laying planks. There's a real feeling when you know you're getting it right. It's a physical feeling.
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Power doesn't always corrupt. Power can cleanse. What I believe is always true about power is that power always reveals.
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I deliberately made an effort not to become an expert on the ballet.
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As you get older, you sometimes feel that it's harder and harder to get something new and wonderful to come into your life.
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