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Herman Brown was a businessman who wanted value for money spent. His relationships with politicians were measured by that criterion.

Robert Caro

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Robert Caro
Age: 89
Born: 1935
Born: October 30
Historian
Journalist
Writer
New York City
New York
Robert Allan Caro
Robert A. Caro
Money
Politicians
Political
Brown
Wanted
Relationships
Spent
Herman
Politician
Criterion
Value
Criteria
Politics
Businessman
Values
Measured

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Power doesn't always corrupt. Power can cleanse. What I believe is always true about power is that power always reveals.
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The moment the curtain rose on that first ballet, I knew something wonderful and new had come into my life. I can still see the first scene. The ballet was Divertimento No. 15
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The New York City Ballet is obviously speaking to a whole new generation and bringing it the same wonder and beauty that it brought previous generations
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I never went to a ballet until I was 45 years old. I don't know why.
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There's a theory, and I think the theory is right, that in order to make a change you've got to make the whole language of the page harmonious. Well, that's a lot easier with a computer.
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Nobody believes this, but I write very fast.
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There's a feeling about it. You feel almost like a cabinetmaker, laying planks. There's a real feeling when you know you're getting it right. It's a physical feeling.
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My interest is in power. How power works.
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I've always felt that no one understands why some books of non-fiction endure and some don't, because there's not much understanding among many non-fiction writers that the narrative is terribly important.
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I try to have a mood or a rhythm for a chapter.
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Ballet is sort of a mystery to me. And I don't want to unravel that mystery.
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At the ballet, you really feel like you're in the presence of something outside the rest of your life. Higher than the rest of your life.
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I like new ballets because they're totally new. As you get older, new experiences are harder and harder to come by, so it's pretty great to have a new experience.
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I never wanted to do biography just to tell the life of a famous man. I always wanted to use the life of a man to examine political power, because democracy shapes our lives
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My predictions are notably inaccurate
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You have to be an extremely good reader to appreciate what a good writer is. There are some people who are completely insensitive to good writing.
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To my mind, the prose in a non-fiction work that's going to endure has to be of the same quality as the prose in a work of fiction that endures.
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Everything seems to be going faster and faster. It's really harder to create something that endures. The New York City Ballet has succeeded in doing that.
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I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
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Sometimes during a ballet I'll look around and see all these rows of intent faces, concentrating on this beautiful thing up on the stage.
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