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I complain that the years fly past, but then I look in a mirror and see that very few of them actually got past.

Robert Breault

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Robert Breault
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The trouble with 'a place for everything and everything in its place' is that there's always more everything than places.
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Time brings an end to everything. We should not mistake for a tragedy what is no more than the passage of time.
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Perception is a clash of mind and eye, the eye believing what it sees, the mind seeing what it believes.
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On the sixth day, God created the artist, realizing no doubt that He had far from exhausted the uses of color.
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We are kept from our goal, not by obstacles, but by a clear path to a lesser goal.
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It is usually the case that people who know you better than you know yourself think you're a pretty good person.
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I am told to just be myself, but as much as I have practiced the impression, I am still no good at it.
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Family life is a bit like a runny peach pie - not perfect but who's complaining?
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To find someone who will love you for no reason, and to shower that person with reasons, that is the ultimate happiness.
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A holiday cocktail party is where some stranger will learn more about you in an hour than your spouse has learned in a lifetime.
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There is a time early in life when there seem to be countless reasons for happiness, and then you discover your mom is making them up.
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Sometimes in life we blow things out of proportion because proportion is so dull.
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Sometimes, to pursue a new idea, the artist must forfeit his deposit on an old idea.
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There is nothing more essential to getting a project off the ground than the underestimate.
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In sinners and repenters you have the original division of labor.
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The ultimate folly is to think that something crucial to your welfare is being taken care of for you.
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In the end you don't so much find yourself as you find someone who knows who you are.
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To a small child, the perfect granddad is unafraid of big dogs and fierce storms but absolutely terrified of the word boo.
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It is a shame to see in the work of an artist the limitations of his critics.
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The first assumption of an art critic is that the artist meant to paint something else.
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