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I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.

Robert Barry

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Robert Barry
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And the mind actually does generate electrical currents - very weak ones and not necessarily ones that can be picked up by anyone else.
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I may have a lot of political opinions but it doesn't necessarily come into my work. I keep the two worlds separate.
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I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.
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I'm my own worst critic. I mean, I know what's wrong with everything that I've done.
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And yes, there are things I want to keep, that I like around me - especially when there's very little left. I just want to keep those little bits of reminders of my past. There are certain drawings from the '60s certain little paintings from the '60s that I keep.
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So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
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The space between things is important to me. The projections, that darkness between the words or the images is very important.
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Whatever came out came out. That was it. That's what you live with. If you don't like it, that's your problem.
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I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.
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I've always said my biggest influence is my, just, the last work I did, the last piece I made.
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I really wasn't about to get a Ph.D. in art history, you know, which you'd absolutely needed. And that was not something I wanted. And I loved art history, but not that way.
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The idea of words and photos was something that appealed to me.
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I try not to manipulate reality... What will happen, will happen. Let things be themselves.
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Normally my head is always filled with art ideas and things that I have to do, deadlines that I have to meet.
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Developing your own style became something very interesting, very important to me.
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And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.
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I took art courses, only in the sense that I was able to - I took art classes, which were fun, which I liked, but it was a - just a kind of a general education that I got, a regular academic - academic diploma, but I kind of had the feeling that art was something that I really liked the most but I wasn't really sure that that was it.
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If you are operating in a certain way and you are thinking in a certain direction, suddenly opportunities arise. And if you are open to it, if you are not locked into your style too much or to what you think works.
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