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I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.
Robert Barry
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More quotes by Robert Barry
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
Robert Barry
The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.
Robert Barry
I always took photographs. I photographed a lot of trees, by the way, which is another image I used often in my work, the tree image.
Robert Barry
If somebody gives me a chance to do something, I am going to use that space, that time, that light, that whatever it is and try and work with it.
Robert Barry
I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.
Robert Barry
The idea of words and photos was something that appealed to me.
Robert Barry
I'm fortunate in one respect that I don't have a lot of work in my studio. Most of it's out, gone either sold or in galleries. I work with a lot of galleries.
Robert Barry
I took art courses, only in the sense that I was able to - I took art classes, which were fun, which I liked, but it was a - just a kind of a general education that I got, a regular academic - academic diploma, but I kind of had the feeling that art was something that I really liked the most but I wasn't really sure that that was it.
Robert Barry
I was good at art - always good at art.
Robert Barry
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Robert Barry
I relied mainly on other artists, who I think are smarter than critics, any critics or curators or anybody like that. They really know.
Robert Barry
The first place I try to go when I have free time is the museums. I'm a big museum person.
Robert Barry
I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.
Robert Barry
I've always said my biggest influence is my, just, the last work I did, the last piece I made.
Robert Barry
Words have very potent meanings and people read them and they react to them personally. They are very suggestive in terms of your life and things like that.
Robert Barry
If you are operating in a certain way and you are thinking in a certain direction, suddenly opportunities arise. And if you are open to it, if you are not locked into your style too much or to what you think works.
Robert Barry
I was also a good writer, by the way. My, you know, my English teacher and writing teacher loved my writing. You know, I wrote short stories and things like that. And they liked them very much.
Robert Barry
I try to create a kind of dynamic thing that hopefully some people will become interested in. And what they do with it after that is sort of up to them. But it's a specific item, it's a specific thing that I've done. And what they do with it is their problem.
Robert Barry
I am a very lucky artist in the sense that I have had all my life a lot of opportunities to do what I want to do.
Robert Barry
You can never really predict how people are going to react, what they're going to think about, whether they care.
Robert Barry