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I was at one point thinking about being an art historian, when I was in school. And not being an artist, but I decided I was going to be an artist but I'm really mad for art history and the masters mostly.
Robert Barry
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Robert Barry
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More quotes by Robert Barry
When you present works of art, one thing I've learned is that if you're lucky - [Laughs] - there will be those few people who, shall we say, get it? Really become engaged, become moved by it in their own way. You cannot control what other people are going to think about it.
Robert Barry
Words have very potent meanings and people read them and they react to them personally. They are very suggestive in terms of your life and things like that.
Robert Barry
I may have a lot of political opinions but it doesn't necessarily come into my work. I keep the two worlds separate.
Robert Barry
I consider drawings finished works of art, first of all. However, the ideas can be something that can be developed into something larger. I don't make so many drawings anymore since I'm working with language. I used to make more when I worked with sculptural things, especially the wire pieces.
Robert Barry
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Robert Barry
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
Robert Barry
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
The Vogels were quite strict in what they acquired. They never acquired a projection. They never acquired a sound piece. They were never big on photos that much, unless it was photos documenting something. They had some limitations into what they bought.
Robert Barry
I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.
Robert Barry
And the mind actually does generate electrical currents - very weak ones and not necessarily ones that can be picked up by anyone else.
Robert Barry
The big thing is I try not to repeat.
Robert Barry
You can't make somebody care about what you're doing. Either they get it, either there's that connection - or they don't.
Robert Barry
I like challenge. I like to be put into a situation which I haven't done before. Something new presents itself and I see if I can somehow finagle it into making a work of art out of it.
Robert Barry
I like contrasting between black and white and color.
Robert Barry
I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.
Robert Barry
reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
Robert Barry
I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.
Robert Barry
I was never that big a rock-and-roll, rock guy. I really preferred jazz, you know, that kind of thing.
Robert Barry
I'm my own worst critic. I mean, I know what's wrong with everything that I've done.
Robert Barry
And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.
Robert Barry