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The space between things is important to me. The projections, that darkness between the words or the images is very important.
Robert Barry
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Robert Barry
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More quotes by Robert Barry
The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.
Robert Barry
The notion of a thing, materiality, was something that I think was something very in peoples' minds when they were dealing with earth and metal and different kinds of metals and the interaction of different sorts of material.
Robert Barry
I was at one point thinking about being an art historian, when I was in school. And not being an artist, but I decided I was going to be an artist but I'm really mad for art history and the masters mostly.
Robert Barry
I didn't like anti-Vietnam War art. I didn't like feminist art. I thought it was heavy-handed and stupid - as art.
Robert Barry
And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.
Robert Barry
You know, there are some people who just don't - that cannot get comfortable behind the wheel of a car and always sort of think they're going to kill somebody.
Robert Barry
I don't have a dream project. I don't really think in those terms, to tell you the truth.
Robert Barry
You can't make somebody care about what you're doing. Either they get it, either there's that connection - or they don't.
Robert Barry
I always thought there was a - even in the most, quote, conceptual art, there is always a physical aspect to it. I never knew what the term meant.
Robert Barry
People ask me why I use words and the reason, of course, is that words talk to you. I mean, they're something that are generated inside of you and that you can relate to you.
Robert Barry
I like challenge. I like to be put into a situation which I haven't done before. Something new presents itself and I see if I can somehow finagle it into making a work of art out of it.
Robert Barry
ne thing you have to develop as an artist is a confidence in what you're doing and that you're right about it.
Robert Barry
I never ever approached a dealer. I have always been approached by dealers or curators or whatever.
Robert Barry
I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.
Robert Barry
I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.
Robert Barry
Art was something that I was really interested in, probably more so than writing or anything else.
Robert Barry
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
Robert Barry
reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
Robert Barry
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Robert Barry