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I didn't make videos for a long time because I hated the look of TV sets.

Robert Barry

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Robert Barry
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More quotes by Robert Barry

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I try not to manipulate reality... What will happen, will happen. Let things be themselves.
Robert Barry
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I like contrasting between black and white and color.
Robert Barry
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The space between things is important to me. The projections, that darkness between the words or the images is very important.
Robert Barry
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I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.
Robert Barry
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The big thing is I try not to repeat.
Robert Barry
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I don't have a dream project. I don't really think in those terms, to tell you the truth.
Robert Barry
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I was at one point thinking about being an art historian, when I was in school. And not being an artist, but I decided I was going to be an artist but I'm really mad for art history and the masters mostly.
Robert Barry
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I'm always looking for relations between my work and the old masters.
Robert Barry
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Whatever came out came out. That was it. That's what you live with. If you don't like it, that's your problem.
Robert Barry
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I am very generous with my dealers in terms of the art that they have of mine. They all have a very good selection of work that they can work with. And it is up to them to find the dealers. I don't interfere with their selling.
Robert Barry
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I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.
Robert Barry
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The Vogels were quite strict in what they acquired. They never acquired a projection. They never acquired a sound piece. They were never big on photos that much, unless it was photos documenting something. They had some limitations into what they bought.
Robert Barry
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I didn't like anti-Vietnam War art. I didn't like feminist art. I thought it was heavy-handed and stupid - as art.
Robert Barry
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If you are operating in a certain way and you are thinking in a certain direction, suddenly opportunities arise. And if you are open to it, if you are not locked into your style too much or to what you think works.
Robert Barry
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But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
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I always had a fairly decent income, coming in just from the art.
Robert Barry
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I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.
Robert Barry
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I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
Robert Barry
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I was always - I was a movie nut. I lived in the movies, really.
Robert Barry
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I relied mainly on other artists, who I think are smarter than critics, any critics or curators or anybody like that. They really know.
Robert Barry