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I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.

Robert Barry

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Robert Barry
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More quotes by Robert Barry

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I don't have a dream project. I don't really think in those terms, to tell you the truth.
Robert Barry
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I really wasn't about to get a Ph.D. in art history, you know, which you'd absolutely needed. And that was not something I wanted. And I loved art history, but not that way.
Robert Barry
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I went to Our Lady of Mercy, parochial school and I started Fordham Prep, but that only lasted about a year and then I - to me, it was like going to some kind of concentration camp. I was not very happy. And I only went there because that's where my brother went, really.
Robert Barry
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I've always said my biggest influence is my, just, the last work I did, the last piece I made.
Robert Barry
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I prefer music but sometimes if there's on talk radio - someone might be on that I like. I listen to the old - to Air America, down at the - liberal talk shows and things like that I find kind of nice, their criticizing the conservatives. I find that quite relaxing, entertaining, but music, a lot of music.
Robert Barry
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I'm my own worst critic. I mean, I know what's wrong with everything that I've done.
Robert Barry
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I just try things and whether people like it or if I find it successful or not, I just do it.
Robert Barry
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If I'm reading something and a word pops up, or I just catch it, I try to mark it off and then, later, write it down on a piece of paper and add it to my list.
Robert Barry
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The notion of a thing, materiality, was something that I think was something very in peoples' minds when they were dealing with earth and metal and different kinds of metals and the interaction of different sorts of material.
Robert Barry
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I really kind of liked the fluidity and not really being tied down. I saw the kind of people that were tenured and what happened to them there and I thought it was kind of death, really.
Robert Barry
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And the mind actually does generate electrical currents - very weak ones and not necessarily ones that can be picked up by anyone else.
Robert Barry
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By being critical, you also develop your own style of what you like, what direction you want to move.
Robert Barry
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I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Robert Barry
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I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
Robert Barry
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Most of the criticism of my work was pretty good, but occasionally it would not be. And I just sort of felt that they absolutely didn't get what I was doing. It was their limitations on what they thought art should be or what they thought my work should be in relation to earlier work or whatever.
Robert Barry
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The Vogels were quite strict in what they acquired. They never acquired a projection. They never acquired a sound piece. They were never big on photos that much, unless it was photos documenting something. They had some limitations into what they bought.
Robert Barry
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The space between things is important to me. The projections, that darkness between the words or the images is very important.
Robert Barry
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I try to create a kind of dynamic thing that hopefully some people will become interested in. And what they do with it after that is sort of up to them. But it's a specific item, it's a specific thing that I've done. And what they do with it is their problem.
Robert Barry
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I certainly don't believe that people can read other people's minds.
Robert Barry
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Developing your own style became something very interesting, very important to me.
Robert Barry