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Normally my head is always filled with art ideas and things that I have to do, deadlines that I have to meet.
Robert Barry
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Robert Barry
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More quotes by Robert Barry
The drawings that I show - the drawings that I present to people are finished works in themselves. They're meant to be thought of that way and not necessarily lead to larger pieces or anything like that. And that's the way I work now.
Robert Barry
I really wasn't about to get a Ph.D. in art history, you know, which you'd absolutely needed. And that was not something I wanted. And I loved art history, but not that way.
Robert Barry
I had always worked. I always had part-time jobs.
Robert Barry
And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.
Robert Barry
You can't just suddenly change gears and reverse yourself or go to the left or the right because there is no left or right. There's always a certain direction that you're moving in.
Robert Barry
I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.
Robert Barry
I'm fortunate in one respect that I don't have a lot of work in my studio. Most of it's out, gone either sold or in galleries. I work with a lot of galleries.
Robert Barry
I never ever approached a dealer. I have always been approached by dealers or curators or whatever.
Robert Barry
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
Robert Barry
You can never really predict how people are going to react, what they're going to think about, whether they care.
Robert Barry
By being critical, you also develop your own style of what you like, what direction you want to move.
Robert Barry
I wanted my style to be very recognizable.
Robert Barry
I may have a lot of political opinions but it doesn't necessarily come into my work. I keep the two worlds separate.
Robert Barry
And the mind actually does generate electrical currents - very weak ones and not necessarily ones that can be picked up by anyone else.
Robert Barry
I am very easy. I like to have my work out. I am not restrictive about any of that. It is the collectors that are possessive, not me, not me.
Robert Barry
I was never that big a rock-and-roll, rock guy. I really preferred jazz, you know, that kind of thing.
Robert Barry
I try to create a kind of dynamic thing that hopefully some people will become interested in. And what they do with it after that is sort of up to them. But it's a specific item, it's a specific thing that I've done. And what they do with it is their problem.
Robert Barry
I always had a fairly decent income, coming in just from the art.
Robert Barry
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
Robert Barry