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I never ever approached a dealer. I have always been approached by dealers or curators or whatever.

Robert Barry

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Robert Barry
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More quotes by Robert Barry

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Art was something that I was really interested in, probably more so than writing or anything else.
Robert Barry
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I was never that big a rock-and-roll, rock guy. I really preferred jazz, you know, that kind of thing.
Robert Barry
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I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.
Robert Barry
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I was good at art - always good at art.
Robert Barry
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You can never really predict how people are going to react, what they're going to think about, whether they care.
Robert Barry
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I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.
Robert Barry
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I never stop thinking about what I have to do. Let's put it that way. The only thing that takes me out of that is probably a film. I watch a lot of movies.
Robert Barry
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So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
Robert Barry
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And style, by the way, is a very important thing. It is like your signature, your handwriting or it is something that you develop that is your way of presenting yourself and also your way of looking at what art - of how to make art.
Robert Barry
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I really wasn't about to get a Ph.D. in art history, you know, which you'd absolutely needed. And that was not something I wanted. And I loved art history, but not that way.
Robert Barry
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Words have very potent meanings and people read them and they react to them personally. They are very suggestive in terms of your life and things like that.
Robert Barry
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The drawings that I show - the drawings that I present to people are finished works in themselves. They're meant to be thought of that way and not necessarily lead to larger pieces or anything like that. And that's the way I work now.
Robert Barry
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I don't have a dream project. I don't really think in those terms, to tell you the truth.
Robert Barry
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I just try things and whether people like it or if I find it successful or not, I just do it.
Robert Barry
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Most of the criticism of my work was pretty good, but occasionally it would not be. And I just sort of felt that they absolutely didn't get what I was doing. It was their limitations on what they thought art should be or what they thought my work should be in relation to earlier work or whatever.
Robert Barry
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I took art courses, only in the sense that I was able to - I took art classes, which were fun, which I liked, but it was a - just a kind of a general education that I got, a regular academic - academic diploma, but I kind of had the feeling that art was something that I really liked the most but I wasn't really sure that that was it.
Robert Barry
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I had always worked. I always had part-time jobs.
Robert Barry
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I'm fortunate in one respect that I don't have a lot of work in my studio. Most of it's out, gone either sold or in galleries. I work with a lot of galleries.
Robert Barry
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I consider drawings finished works of art, first of all. However, the ideas can be something that can be developed into something larger. I don't make so many drawings anymore since I'm working with language. I used to make more when I worked with sculptural things, especially the wire pieces.
Robert Barry
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The Vogels were quite strict in what they acquired. They never acquired a projection. They never acquired a sound piece. They were never big on photos that much, unless it was photos documenting something. They had some limitations into what they bought.
Robert Barry