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If somebody gives me a chance to do something, I am going to use that space, that time, that light, that whatever it is and try and work with it.
Robert Barry
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Robert Barry
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More quotes by Robert Barry
I like contrasting between black and white and color.
Robert Barry
I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.
Robert Barry
ne thing you have to develop as an artist is a confidence in what you're doing and that you're right about it.
Robert Barry
So I never had trouble getting work or working or doing - I always worked. I worked when I went to college. I worked after school.
Robert Barry
I am very easy. I like to have my work out. I am not restrictive about any of that. It is the collectors that are possessive, not me, not me.
Robert Barry
I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
Robert Barry
The space between things is important to me. The projections, that darkness between the words or the images is very important.
Robert Barry
I never stop thinking about what I have to do. Let's put it that way. The only thing that takes me out of that is probably a film. I watch a lot of movies.
Robert Barry
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
I usually, if I give a talk, I don't usually prepare anything. I just say - you know, I may stop talking by showing some video or slides of what I do but mainly I try to respond to what problems people have with my work.
Robert Barry
I wanted my style to be very recognizable.
Robert Barry
I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
Robert Barry
Normally my head is always filled with art ideas and things that I have to do, deadlines that I have to meet.
Robert Barry
I took art courses, only in the sense that I was able to - I took art classes, which were fun, which I liked, but it was a - just a kind of a general education that I got, a regular academic - academic diploma, but I kind of had the feeling that art was something that I really liked the most but I wasn't really sure that that was it.
Robert Barry
I always thought there was a - even in the most, quote, conceptual art, there is always a physical aspect to it. I never knew what the term meant.
Robert Barry
The drawings that I show - the drawings that I present to people are finished works in themselves. They're meant to be thought of that way and not necessarily lead to larger pieces or anything like that. And that's the way I work now.
Robert Barry
Words have very potent meanings and people read them and they react to them personally. They are very suggestive in terms of your life and things like that.
Robert Barry
Words are objects of a color and a size and a form and a shape.
Robert Barry
I've always said my biggest influence is my, just, the last work I did, the last piece I made.
Robert Barry
My videos rarely run longer than 20 minutes. They're made for private viewing in your home or specifically either that or for a gallery situation where you sit and look.
Robert Barry