Quote

I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.

Robert Barry

Change background

T
T
T

Change font

TAGS & TOPICS

Robert Barry
Littles
Little
Real
Work
Background
Things
Backgrounds
World
Working
Lasts
Used

More quotes by Robert Barry

Image
My videos rarely run longer than 20 minutes. They're made for private viewing in your home or specifically either that or for a gallery situation where you sit and look.
Robert Barry
Image
I am very easy. I like to have my work out. I am not restrictive about any of that. It is the collectors that are possessive, not me, not me.
Robert Barry
Image
I'm fortunate in one respect that I don't have a lot of work in my studio. Most of it's out, gone either sold or in galleries. I work with a lot of galleries.
Robert Barry
Image
I really kind of liked the fluidity and not really being tied down. I saw the kind of people that were tenured and what happened to them there and I thought it was kind of death, really.
Robert Barry
Image
I was at one point thinking about being an art historian, when I was in school. And not being an artist, but I decided I was going to be an artist but I'm really mad for art history and the masters mostly.
Robert Barry
Image
I always took photographs. I photographed a lot of trees, by the way, which is another image I used often in my work, the tree image.
Robert Barry
Image
The big thing is I try not to repeat.
Robert Barry
Image
Normally my head is always filled with art ideas and things that I have to do, deadlines that I have to meet.
Robert Barry
Image
I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.
Robert Barry
Image
Developing your own style became something very interesting, very important to me.
Robert Barry
Image
You can never really predict how people are going to react, what they're going to think about, whether they care.
Robert Barry
Image
The drawings that I show - the drawings that I present to people are finished works in themselves. They're meant to be thought of that way and not necessarily lead to larger pieces or anything like that. And that's the way I work now.
Robert Barry
Image
I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
Robert Barry
Image
reaking up the space and using the space, using the length of the space, the height of it, whatever, the light, all of those things. It's something that you have to kind of slowly recognize in your work and develop over years of making work.
Robert Barry
Image
Whatever came out came out. That was it. That's what you live with. If you don't like it, that's your problem.
Robert Barry
Image
The space between things is important to me. The projections, that darkness between the words or the images is very important.
Robert Barry
Image
I went to Our Lady of Mercy, parochial school and I started Fordham Prep, but that only lasted about a year and then I - to me, it was like going to some kind of concentration camp. I was not very happy. And I only went there because that's where my brother went, really.
Robert Barry
Image
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
Image
I am very generous with my dealers in terms of the art that they have of mine. They all have a very good selection of work that they can work with. And it is up to them to find the dealers. I don't interfere with their selling.
Robert Barry
Image
I really wasn't about to get a Ph.D. in art history, you know, which you'd absolutely needed. And that was not something I wanted. And I loved art history, but not that way.
Robert Barry