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I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.

Robert Barry

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Robert Barry
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More quotes by Robert Barry

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But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
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I certainly don't believe that people can read other people's minds.
Robert Barry
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I always took photographs. I photographed a lot of trees, by the way, which is another image I used often in my work, the tree image.
Robert Barry
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I just try things and whether people like it or if I find it successful or not, I just do it.
Robert Barry
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I was an adjunct. I never got tenure, never had it. I was a professor, though. But I never got tenure. I never really wanted tenure, to tell you the truth. Really wasn't - the guys who got - the tenured people were some of, like, the least interesting. And they were people I didn't really like very much anyway.
Robert Barry
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I had always worked. I always had part-time jobs.
Robert Barry
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Words have very potent meanings and people read them and they react to them personally. They are very suggestive in terms of your life and things like that.
Robert Barry
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I never stop thinking about what I have to do. Let's put it that way. The only thing that takes me out of that is probably a film. I watch a lot of movies.
Robert Barry
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I usually, if I give a talk, I don't usually prepare anything. I just say - you know, I may stop talking by showing some video or slides of what I do but mainly I try to respond to what problems people have with my work.
Robert Barry
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Normally my head is always filled with art ideas and things that I have to do, deadlines that I have to meet.
Robert Barry
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The idea of words and photos was something that appealed to me.
Robert Barry
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I consider drawings finished works of art, first of all. However, the ideas can be something that can be developed into something larger. I don't make so many drawings anymore since I'm working with language. I used to make more when I worked with sculptural things, especially the wire pieces.
Robert Barry
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I shoot a lot of video, first of all, whatever I think is interesting, just my travels hard to say why. If something looks good, I take a picture or try to shoot it.
Robert Barry
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I really kind of liked the fluidity and not really being tied down. I saw the kind of people that were tenured and what happened to them there and I thought it was kind of death, really.
Robert Barry
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I made films from the - when I was a little kid, my father bought me a movie camera. I just wanted to. I don't know how. You just learn, you just do it. You just do it.
Robert Barry
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I really wasn't about to get a Ph.D. in art history, you know, which you'd absolutely needed. And that was not something I wanted. And I loved art history, but not that way.
Robert Barry
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I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
Robert Barry
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I didn't make videos for a long time because I hated the look of TV sets.
Robert Barry
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I've always said my biggest influence is my, just, the last work I did, the last piece I made.
Robert Barry
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I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.
Robert Barry