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Robert Barry
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Robert Barry
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More quotes by Robert Barry
I had always worked. I always had part-time jobs.
Robert Barry
I was at one point thinking about being an art historian, when I was in school. And not being an artist, but I decided I was going to be an artist but I'm really mad for art history and the masters mostly.
Robert Barry
I usually, if I give a talk, I don't usually prepare anything. I just say - you know, I may stop talking by showing some video or slides of what I do but mainly I try to respond to what problems people have with my work.
Robert Barry
I like challenge. I like to be put into a situation which I haven't done before. Something new presents itself and I see if I can somehow finagle it into making a work of art out of it.
Robert Barry
I am very generous with my dealers in terms of the art that they have of mine. They all have a very good selection of work that they can work with. And it is up to them to find the dealers. I don't interfere with their selling.
Robert Barry
Art was something that I was really interested in, probably more so than writing or anything else.
Robert Barry
I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.
Robert Barry
I loved music. Music was a big thing and so I started collecting records. I had a large collection of jazz records and that was something else I used to listen to. At night, there was a - what the heck was his name? There was a famous - Jazzbo Collins, I used to listen to at night, and some other guys.
Robert Barry
I didn't make videos for a long time because I hated the look of TV sets.
Robert Barry
If somebody gives me a chance to do something, I am going to use that space, that time, that light, that whatever it is and try and work with it.
Robert Barry
I was also a good writer, by the way. My, you know, my English teacher and writing teacher loved my writing. You know, I wrote short stories and things like that. And they liked them very much.
Robert Barry
I may have a lot of political opinions but it doesn't necessarily come into my work. I keep the two worlds separate.
Robert Barry
I didn't like anti-Vietnam War art. I didn't like feminist art. I thought it was heavy-handed and stupid - as art.
Robert Barry
The idea of words and photos was something that appealed to me.
Robert Barry
I'm used to being the background. I'm used to having work that only lasts for a little while. I'm used to being - working in the real world, where real things are.
Robert Barry
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.
Robert Barry
I took art courses, only in the sense that I was able to - I took art classes, which were fun, which I liked, but it was a - just a kind of a general education that I got, a regular academic - academic diploma, but I kind of had the feeling that art was something that I really liked the most but I wasn't really sure that that was it.
Robert Barry
By being critical, you also develop your own style of what you like, what direction you want to move.
Robert Barry
Most of the criticism of my work was pretty good, but occasionally it would not be. And I just sort of felt that they absolutely didn't get what I was doing. It was their limitations on what they thought art should be or what they thought my work should be in relation to earlier work or whatever.
Robert Barry