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I really kind of liked the fluidity and not really being tied down. I saw the kind of people that were tenured and what happened to them there and I thought it was kind of death, really.
Robert Barry
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Robert Barry
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More quotes by Robert Barry
I like working late at night and then going into the house and sitting down and watching a movie and then going to sleep.
Robert Barry
And the mind actually does generate electrical currents - very weak ones and not necessarily ones that can be picked up by anyone else.
Robert Barry
Art was something that I was really interested in, probably more so than writing or anything else.
Robert Barry
I was also very interested in music. I used to hang out in jazz joints, you know, the Five Spot and so forth when I was, you know, a senior, really, when I was a little bit older. And I thought, well, maybe I could, you know, work with music. I can't play at all.
Robert Barry
The first place I try to go when I have free time is the museums. I'm a big museum person.
Robert Barry
I just try things and whether people like it or if I find it successful or not, I just do it.
Robert Barry
I'm fortunate in one respect that I don't have a lot of work in my studio. Most of it's out, gone either sold or in galleries. I work with a lot of galleries.
Robert Barry
I try to create a kind of dynamic thing that hopefully some people will become interested in. And what they do with it after that is sort of up to them. But it's a specific item, it's a specific thing that I've done. And what they do with it is their problem.
Robert Barry
Words are objects of a color and a size and a form and a shape.
Robert Barry
I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.
Robert Barry
I'm my own worst critic. I mean, I know what's wrong with everything that I've done.
Robert Barry
I am always producing work, but there is always a sort of deadline where you have to finish work. I don't do it for a show. In other words, I am not like a fashion designer where I have a, you know - I have to put out the full line or I have to put out the summer line like that.
Robert Barry
I usually, if I give a talk, I don't usually prepare anything. I just say - you know, I may stop talking by showing some video or slides of what I do but mainly I try to respond to what problems people have with my work.
Robert Barry
I was always - I was a movie nut. I lived in the movies, really.
Robert Barry
You can't just suddenly change gears and reverse yourself or go to the left or the right because there is no left or right. There's always a certain direction that you're moving in.
Robert Barry
If I'm reading something and a word pops up, or I just catch it, I try to mark it off and then, later, write it down on a piece of paper and add it to my list.
Robert Barry
Whatever came out came out. That was it. That's what you live with. If you don't like it, that's your problem.
Robert Barry
But if I did read, say, [Maurice] Merleau-Ponty, for instance, it always seemed to me that the parts that I understood in what he was talking about - and I read him because - well, he wrote a book, well, the Phenomenology of Perception [New York: Humanities Press, 1962]. And it seemed to me that perception had a lot do with how we take in art.
Robert Barry
I shoot a lot of video, first of all, whatever I think is interesting, just my travels hard to say why. If something looks good, I take a picture or try to shoot it.
Robert Barry
The Vogels were quite strict in what they acquired. They never acquired a projection. They never acquired a sound piece. They were never big on photos that much, unless it was photos documenting something. They had some limitations into what they bought.
Robert Barry